Revistă online editată de Uniunea Cineaștilor din România
Starting from the “haptic visuality” concept – such as it is formulated in the reference paper “The Skin of the Film” by cinema theoretician Laura U. Marks – the programme proposes a very special sensorial-emotional, unfolding as a true seduction ritual. It will start with an inch-by-inch exploration of the cinematography corpus, of the film's tactile nature, seen as a source of sensations and emotions. Right after that, as a loved one is on a screen on which we project afterwards past experiences and sensations, exactly like that the films start a dialogue with other cinematic bodies, which they recycle, reinterpret and reanalyse in a continuous flow of the conscience and subconscious. In time, all these turn into a permanent process of knowing the other one and of self-knowledge. Gradually, the borders between oneself and the loved one, between the viewer and the film tend to dissolve, and the separation between audience and cinema seems to disappear.
