Revistă online editată de Uniunea Cineaștilor din România

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Capturing Sami (2023)

Captura (2023)

76 min. - Drama - -


Synopsis: SAMI(30) lives in a comfortable captivity, trapped between his girlfriend PIA(33) and his mother, CRISTINE(57). He is currently keeping a video journal and escapes reality hiding behind the camera.
There are demonstrations in the centre of Bucharest. Sami is fascinated by what he sees in downtown. He films the formation of gendarmes setting in motion. Two gendarmes step out of formation, rush towards the camera, grab him, start hitting him with their batons and force him to delete everything on his camera. He and two other protesters are taken inside the gendarmerie vehicle. A terrifying trip to the police precinct ensues. At the precinct, Sami is asked to plead guilty and, as a result, get a simple warning and be allowed to go home. Sami declines. Isolated between four walls and a metallic revolving door, overwhelmed by fear, he gives in. He changes his statement, takes the blame and goes home.

Director: Adi Voicu

Writer: Adi Voicu

Stars: Yann Verburgh, Nicoleta Lefter


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Casting:

Yann Verburgh Sami
Nicoleta Lefter Pia
Capturing Sami (2023) Marius Cordoș
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Produced By

co-production România / Bulgaria
Axel Film
with the support of CNC România & Centrul Național de Film Bulgaria 

Production info

Budget: 600.000 euro
Shootings in january and march 2022, for 24 days.

Trivia

  • Filmul se bazează pe propria experiență a regizorului când a fost arestat în timpul protestelor violente din București în 2012
Adi Voicu about the film:
The first synopsis of the script was my police statement. After a few years I wanted to translate into images what I had lived. Transitioning from the certainties I had while witnessing an event to the fear felt when objectively experiencing it constitutes the dramatic arc of the film.
The central theme of the film is reality; the objective and the subjective aspects and how the main character manages to make sense while facing one or the other. The rhythm is progressive, morphing from slow movements to aggressive follow shots with swift cuts. The chaos generated by the motion of the camera-character merges with a fixed camera that follows the characters' unpredictable actions. The tone is realistic and sometimes tragic-comic. SAMI, a young, tall, frail man facing the gendarmes wearing protective gear, black balaclavas and batons, generate an absurd situation, where the threat becomes ridiculous and the tragedy filled with comic touches peaks inside the gendarmerie vehicle.
Marcian Lazar about the film:
I think Adi can deliver a reference film on the delicate subject of protests. The position of a self – proclaimed “neutral” participant as his character pretends to be is heavily challenged, but not in the direction of choosing one side, as a lot of stories do, but questioning one person’s limits facing arbitrary violence in a complex societal environment.
The film’s strengths are: the story which seems to be of current interest, the thrilling suspense, the acting, the scenery, a promising director. The context is built on observing the mechanisms and energies of public protests, and the way an individual is relating to these two entities: the crowd and the authorities arm. There is a huge potential for riots, and further events cannot be predicted, but the complex reasons and geopolitical elements that would ignite them are very present in the present societies. A lot of manipulation can also emerge, and some hidden forces may be trying to divert events favoring their own agenda.

 

Capturing Sami (2023) - Photo